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Zerrin Egeliler
publicity photo from the 1970s

Movie Publicity Photo -- Zerrin Egeliler appeared on the cover of this issue of Pazar Magazine, a popular movie periodical of the 1960s and 1970s.
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Zerrin Egeliler in
Onsuz Olamam
(I'm Nothing Without Him/Her/It)
written and directed by
Savaş Eşici in 1978.
Two 'close' sisters
(Egeliler and Müge Güler)
are in love with
the same man (Salih Güney).

Movie Poster from 1978 for 'Onsuz Olamam' (I'm Nothing Without Him/Her/It) directed by Savaş Eşici -- starring Salih Güney, Müge Güler, and Zerrin Egeliler.

Zerrin Egeliler in
Yalnız Kalp / Uçurum
(Lonely Heart / I Fly Like The Wind)
written and directed by
Yücel Uçanoğlu in 1978.
The story of two young men
(Hadi Çaman and Bülent Kaybaş)
and a young woman (Egeliler)
discovering
seks for the first time.

VCD Movie Cover from 1978 for 'Yalnız Kalp / Uçurum' (Lonely Heart / I Fly Like The Wind) written and directed by Yücel Uçanoğlu in 1978. A story-plot about young love and first-time 'seks'.

Zerrin Egeliler
grieves at the funeral for her
believed-to-be-dead first husband
in Şıllık (Painted Jezebel) 1979.

Movie photo from 'Şıllık' (Painted Jezebel) 1979 -- Zerrin Egeliler grieves for her believed-to-be-dead first husband.

Zerrin Egeliler's
'mother' Mürvet Sim pressures
'lawyer' Kamer Sadık at graveside
to hurry-up the 'Reading of the Will'
in Painted Jezebel 1979

Movie photo from 'Şıllık' (Painted Jezebel) 1979 -- Zerrin Egeliler's mother (Mürvet Sim) pressures lawyer (Kamer Sadık) at graveside, to hurry-up the 'Reading of the Will'

(Left to Right) Bülent Kayabaş,
Hadi Çaman [the talking portrait],
Zerrin Egeliler, and Mürvet Sim listen
as Kamer Baba [Kamer Sadık]
'Reads the Will' of the 'deceased'
in Painted Jezebel 1979.
Movie Photo of (L to R) Bülent Kayabaş, Hadi Çaman [the talking portrait], Zerrin Egeliler, Mürvet Sim, and Kamer Baba [Kamer Sadık] -- the Reading of the Will, from the movie 'Şıllık' (Painted Jezebel) 1979
Click!

The Portrait of Hadi Çaman...
Çaman speaks from the grave
imploring his best friend
Bülent Kayabaş
to marry Çaman's poor widow
Zerrin Egeliler in Painted Jezebel

Movie Scene from 'Şıllık' (Painted Jezebel) 1979 -- Hadi Çaman speaks from the grave imploring his best friend Bülent Kayabaş to marry Hadi's 'unfortunate' widow Zerrin Egeliler.

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Romance and Sex Matters in Turkey
Erotic Turkish Movies/Films
(Erotik Türk Filmleri)
Zerrin Egeliler
7/10

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Zerrin Egeliler in
Şıllık (Painted Jezebel)
Directed by Ülkü Erakalın in 1979 --
starring Egeliler, Hadi Çaman, Bülent Kayabaş,
and Mürvet Sim (who is not the blonde on the cover)

Zerrin Egeliler Movie Poster -- with Egeliler, Hadi Çaman, Bülent Kayabaş, and Mürvet Sim in 'Şıllık' (Painted Jezebel) 1979
Erotik Zerrin Egeliler Türk filmleri

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'Erotik' Movies History --
The Players: Zerrin Egeliler
7/10

'Painted Jezebel'...
An Erotik (and Comic) Movie Mix

Movie Comedy for Grownups
continued...

In Part 6 of this Zerrin Egeliler movie chronicle, we noted that her seks comedy film Şıllık (Painted Jezebel) is based on a simple premise... that it's perfectly all right for a wife to remarry a second husband after the death of her first husband.

But, what if, at the prompting of her pushy mother, the new widow goes ahead a little too hastily with remarriage. And then... what happens when the report of her first husband's death turns out to be false -- having been based on bad info? What does a merry Turkish widow want with hubby #2 if hubby #1 is still alive and kicking?

Well, in such a case, you've got the makin's for a Turkish 'erotik' comedy-movie stew...

Basic Movie Facts

Şıllık (Painted Jezebel) -- 1979
An Ören Studios Production, written and directed by Ülkü Erakalın -- starring Zerrin Egeliler (as herself) along with some of the best known conventional film cross-over actors/actresses of that era: Hadi Çaman (as himself, in the role of hubby #1), Bülent Kayabaş (as himself, in the role of hubby #2), Mürvet/Mürüvvet Sim (as Egeliler's mother), Kamer Baba/Sadık (as the family lawyer), Ali Demir (as the marriage-ceremony magistrate, and Yüksel Gözen (as the marriage-court judge).

The Movie's Plot

The movie's opening-scene is filmed in the 700 year-old Karacaahmet Cemetery of Üsküdar, on Istanbul's Anatololian (Asian) side. [See atı alan Üsküdar'ı geçti.] Friends and family have gathered there for the funeral of Zerrin Egeliler's reportedly-deceased husband Hadi Caman. Several friends (including Bülent Kayabaş) offer condolances to the grieving-widow Egeliler and her mother (Mürvet Sim), by expressing the simple but heartfelt 'Başınız sağ olsun' Turkish condolence-phrase.

Note: As a rule, Muslims bury the 'departed' the next day after a person 'departs'. (See The Muslim Way of Death.) Exceptions to this rule arise if distant family members need more time to return for the burial ceremony -- or if the departed is a celebrity/VIP for which burial ceremony preparations can be quite extensive. Still, in 'ordinary' circumstances, next-day funerals are carried out on-schedule, even if there are no physical-remains to bury (as in the case of an airplane lost at sea, for example).

Even in the midst of condolance-giving at the graveside, Egeliler's mother begins to pester her daughter on the subject of remarriage, reckoning that Bülent Kayabaş would make a fine new son-in-law. But Egeliler admonishes her mother and respectfully weeps for her 'deceased' husband.

Undaunted, Egeliler's mother sneakily pressures the family lawyer (Kamer Baba), who is also among the mourners at the cemetary, (see movie photo, upper left) to officially 'Read the Will' the next day at 2 in the afternoon at the family home.

The appointed hour arrives, and, in the parlor of the family home, the lawyer assembles everyone mentioned in the will. They include Bülent Kayabaş, Zerrin Egeliler, and Egeliler's mother. (See movie-photo, upper left.)

On the fireplace mantle, sits a life-sized photo-portrait of the presumably-deceased Hadi Çaman. But, as we soon learn, it's no ordinary portrait...It's a 3-dimensional picture with the power of movement and speech (see movie-photo at upper left) -- employed by the film's director Erakalın as a cinematic 'device'. A device with the ability to influence the movie's plot and orchestrate the actions of the other actors!

Oh my...
Seems we're in for a magical movie romp --
which we'll examine further in:

Part 8 -- 'Painted Jezebel'...
When dalliance is in flower,
what's a girl to do?

- with quite a revealing film clip -

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    We are extremely grateful for the
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    Cihan Demirci, Metin Demirhan, İlke Gürsoy, Giovanni Scognamillo,
    Sinematik -- Alternatif Sinema Kültürü Blogu (http://sinematik.blogspot.com),
    and sinemasever
    (http://www.hafif.org/uye/sinemasever).

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    © Erotik Türk Filmleri - Şıllık (Painted Jezabel), starred Hadi Çaman and Zerrin Egeliler