The off-color subject matter found on this erotic Turkish movie page may not be for everyone...
Please back out now if you think you may be offended.
In Turkey - Türkiye'de
Which Dilber Ay?
The Dilber Ay
of this series of articles is not to be confused with the portly arabesque singer of the same name Dilber Ay, who appeared in the 2006 Turkish movie hit, Beynelmilel.  'Our' Dilber Ay gained everlasting fame in movies like these... Dilber Ay
(in her first starring role, as Seher) is the only survivor after a Byzantine Cavalry attack on her village. She's rescued by a crude but heroic 4-man band of Karadağlı gaziler -- led by Behçet Nacar (as Burak), in Ölüm Savaşı (Fight to the Death) directed by Yavuz Figenli in 1978.  Led by Behçet Nacar (foreground),
4 Karadağlı gaziler rescue Dilber Ay in Ölüm Savaşı (Fight to the Death) directed by Yavuz Figenli in 1978. Background L-R: Tuncay Şahin (as Çakir), Kazım Kartal (as Cabbar), and Menderes Semancı (as Dilsiz)  Dilber Ay
'rewards' Behçet Nacar for her rescue in Ölüm Savaşı (Fight to the Death) directed by Yavuz Figenli in 1978.  Gülden Gül plays Katya,
a hot-blooded Byzantine seductress in Ölüm Savaşı (Fight to the Death) directed by Yavuz Figenli in 1978.  Sevginin Bedeli
(The Equivalent Of Love) starring Dilber Ay, Emel Canser, Yılmaz Şahin, and Zafer Doğan -- directed by Naki Yurter in 1979. The story of a step-daughter (played by Dilber Ay as Kezban) who awakes to cinsellik, through fantasy.  Free updates for life!
Jim and Peri's Commercial-free CD/Broadband Editions for Turkish Learning -- with triple ebook bonus! 
|
History of the Erotic Turkish Cinema - Türk Sinemasında Cinselliğin Tarihi
|
Bypass Turkish Government Censorship Ask about our free Speed Trial account -- for in-country Türkiye  Click the image to learn how to protect your Internet freedom for less than $8 a month! |
Dilber Ay played
opposite Kazım Kartal in Püsküllü Bela (A Peck Of Trouble) -- aka Dilberim Kıyma Bana (Make Mince-Meat Of Me, Beautiful) directed by Çetin İnanç in 1979. Dilber Ay is the accidental eyewitness to...  ...a double homicide...committed, it seems, by her leading-man Kazım Kartal. |
Let us know if you enjoy our
'Movies Database' pages and film clips.
We'll add more of them if you do...
Dilber Ay's Fantasy -- Religion and Seks
Dilber Ay (as Kezban) dreamily pictures herself back in the Middle Ages...as a Christian Sinner seeking absolution from a Catholic Priest (Zafer Doğan) to whom she confesses her sins. And the sensual penance that the Priest imposes on her is straight out of Alex Comfort's Joy of Sex -- as you'll see in the Dilber Ay fantasy film-clip (a 2.3 MB Windows Media Video [.WMV] file available on our 'Downloads Page') that we've had to greatly shorten and 'doctor', for the sake of propriety.
Kezban's Middle-Ages fantasy concludes satisfyingly for the Catholic Priest and his penitent -- and Kezban (Dilber Ay) returns dreamily to the modern-age dance floor. That's just in time for her dance-partner Kamil (Zafer Doğan) to begin a fantasy of his own. In this one, Dilber Ay is a dominatrix who finds 99 ways to tease her male partner Zafer Doğan, including a remarkable encounter she has with a high-heeled shoe -- as she caters to a myriad of his most private fetishes.
In the scene that follows the second fantasy, Emel Canser argues with her lover/fiancé Yılmaz Şahin, insisting that her step-daughter Kezban is still a child -- uninterested in carnal love. But, it's clear to see that Kezban and Kamil are more than platonic friends. And after the party breaks up, Kamil pays Kezban an after-hours visit in her bedroom, where the couple make passionate whoopie.
The next day, Kezban runs into the family dress-maker (Özden/Rezzan) and they return to the dress-maker's shop for a fitting...Kezban disrobes and Özden/Rezzan pours them a stiff drink of Johnnie Walker, Red -- and one thing leads to another.
But, Kezban's bedroom scene with the dress-maker is uninspired, which leads us to believe that director Naki Yurter only included it to indicate the broad-range of young Kezban's cinsel awakening.
It's obvious, though, that Kezban's interest in sapphic relations is a passing fancy. She definitely prefers men, especially her new lover, Kamil...So when mother (Emel Canser) suggests (in this 2.7 MB Windows Media Video [.WMV] file) that Kezban (Dilber Ay) ought to marry family-friend and famous-poet Kemal (Çetin Başaran), Kezban rejects the idea, declares her love for Kamil, saying, "I've come of age, mother. I'll make the decisions from now on" -- and storms off the estate grounds in a huff, passing the poet Kemal on his way in...
She runs into Kamil in the street, he proposes marriage on the spot, and hand-in-hand the pair return to the estate -- where they find Mother in conversation with the poet Kemal (Çetin Başaran), expressing his wish to marry Kezban.
Kezban and Kamil deliver an ultimatum to Mother..."We want to marry. If you don't give us your permission, we'll elope." The poet Kemal (Çetin Başaran) gets the message and walks off disgustedly. Mother, realizing that step-daughter Kezban has indeed become a woman, gives her blessing with a knowing smile -- and the happy couple dance off merrily through the streets to a happy ending.
In Part 3, Provocative Dilber Ay, we had reached the plot-point of Sevginin Bedeli (The Equivalent of Love) where Dilber Ay (as Kezban) began fantasizing erotically about her dance-partner Zafer Doğan (as Kamil)...
Editors Note:
Since the Turkish people are overwhelmingly Muslim, you may think it odd at first that the Turkish director Naki Yurter chose a Christian (not an Islamic) theme for this provocative religo-sexual fantasy. The explanation for Yurter's 'odd' choice is undoubtedly related to the fact that his real surname was Veligradino -- which clearly indicates a Italian-Christian family-background. So, as he grew to young manhood, Yani Veligradino was well acquainted with Christian-based Italian Myth and Fantasy. And since a distinctive characteristic of Italian erotica is its 'obsession' with naughty behavior in the ranks of the Catholic clergy, it was quite natural for Yurter/Veligradino to give an Italian-Christian theme to Dilber Ay's erotik fantasy.
![[Learn Turkish: Home]](http://www.learningpracticalturkish.com/homeicon.gif)
![[Learning Practical Turkish Table of Contents]](http://www.learningpracticalturkish.com/cntsicon.gif)
![[Turkish Learning Message Center]](http://www.learningpracticalturkish.com/cmnticon.gif)
Please email us and tell us how we can improve the Learning Practical Turkish Web site.
© Dilber Ay | Erotik Filmler | Erotik Türk Sinema |
Erotic Movie History of Turkey | Erotic Turkish Movie Star: Dilber Ay | Sokak Kızları | Püsküllü Bela | Ölüm Savaşı | Gece Yaşayan Kadın |
Türk Sinemasında Cinselliğin Tarihi
